Where is the expulsion of the garden of eden

When interpreting and analyzing The Expulsion from the Garden of Eden , one should note the following. Masaccio wants us to see and feel their pain. Emotions are naturally conveyed through gestures and faces.

What's more, the couple have been given very ordinary physical features. There is no attempt at idealization. So far, Masaccio is clearly following in the footsteps of Giotto and his Scrovegni Arena Chapel frescoes.

Note that, unlike his illustrious predecessor from the Proto-Renaissance era, he employs perspective, colour, directional light and chiaroscuro , in order to depict volume without the need for outlines.

This leads to significantly greater realism, and is one of the hallmarks of figurative painting developed during the Florentine Renaissance period. Masaccio, however, has given Adam and Eve an incredible amount of expression as they grieve over the consequences of their sins. They appear to be firmly planted on the ground and they are placed against a simple landscape setting.

You must be logged in to post a comment. This is a site for information and analysis of the world of the Italian Renaissance. Text is original to this site ItalianRenaissance. Eve grasps the apple boldly, Adam greedily, but in misfortune he seems greater than the woman. He knows that through his fall God, who was near to him, has become inaccessible and remote.

He almost disdains the garden of which he feels no longer worthy. In spite of rocks and the barren tree stump, Eden - the term signifies bliss - is too voluptuous and full of delight; the bodies are too plump and smooth, the foliage above their heads is almost too luxuriant. These opposing realms meet near the center of the canvas. The profusion of flora and fauna evokes the beauty and harmony of Eden; outside the portal to Paradise, Adam and Eve are cast into an abyss marked by blasted trees, desolate rocks, and an ominous wolf.

Notes 1. This text was adapted from Elliot Bostwick Davis et al. Inscriptions Lower left, on cliff: T Cole. Provenance , the artist; , Dr.